U3 AI Agency · العربية

Post-production built for modern creative workflows.

Editing, motion design, 3D, VFX and finishing — integrated with AI-native production or delivered as standalone production services.

AI gets the shot. Craft makes it production-ready.

From generated frame to finished master.

AI-native, or footage you already have.

AI does not replace post-production; it changes what arrives at the edit. Either way the shot still has to be cut, composited, graded, mixed and mastered before it can run.

AI-native productions

Generated shots, locked characters and generated environments — edited, composited with graphics, colour-finished and mixed by the same team that directed them. This is the pipeline behind every U3 film.

Traditional footage & hybrid

Your footage, your AI outputs, your 3D assets, or a mix — brought to a professional master. Real footage is cleaned, extended and composited with generated elements where the brief calls for it.

What the post team does.

Each group is a discipline the studio staffs and delivers. Every one is shown on the real films it was used on — no stock reel, no production breakdown that did not happen.

Video editing & finishing

Commercials, brand films, corporate films, music videos, social edits and campaign cutdowns: pacing, structure, colour finishing and sound design to a delivered master — and language versions conformed from one edit.

  • Commercials & brand films
  • Corporate & enterprise films
  • Music videos
  • Social edits & campaign cutdowns
  • Pacing & structure
  • Colour finishing
  • Sound design & mix
  • Language versions & conform

Motion graphics

2D and 3D motion, kinetic typography, brand and logo animation, explainers and infographic animation, titles, on-screen text and interface animation — in Arabic and English.

  • 2D motion design
  • 3D motion
  • Kinetic typography
  • Brand & logo animation
  • Explainers & infographic animation
  • Titles & on-screen text
  • Interface animation
  • Arabic and English typography

3D & CGI

Product visualization and product animation, environments and architectural scenes, materials, lighting and camera animation — in 3D where the brief needs a controllable asset, in AI hypermotion where it needs speed. A 3D artist and a 3D animator are on the studio's own crew, working in Blender.

  • Product visualization
  • Product animation
  • Environments & architectural scenes
  • Materials & lighting
  • Camera animation
  • Character-style 3D films
  • AI hypermotion for products

VFX & compositing

Compositing, cleanup, tracking, rotoscoping, screen and object replacement, environment extension and the integration of AI elements into real footage — shot by shot, to a finished plate.

  • Compositing
  • Cleanup & paint
  • Tracking & rotoscoping
  • Screen replacement
  • Object replacement
  • Environment extension
  • AI + real footage integration
  • Shot finishing

Bring what you have.

Standalone post, AI finishing or the whole production — the brief says which, and the proposal is scoped to it. No rate card.

Standalone post-production

Send the footage and the brief. We cut, animate, composite, grade and mix, and return masters in the formats on your plan.

AI finishing

Generated shots that do not cut together yet are finished here: selected, cleaned up, extended, composited with graphics, colour-matched and mixed into one film.

Full production

Direction, AI production and post as one pipeline — the way every U3 film is made.

Where the craft sits in a U3 production.

The five approved stages every project runs on. Post-production is not a department the film is handed to at the end — it is the fourth and fifth stage of the same pipeline, run by the same team.

Brief & direction

Concept, script, treatment, references.

Voice-over

Cast, recorded and approved before a frame moves.

Scenes & key-frames

Still frames approved; nothing moves until you have seen it.

Animation, edit, VFX & sound

Generation or footage, then the edit, motion, compositing, colour and mix.

Master & versions

Final masters, cutdowns, verticals and language versions.

Delivery, in plain terms.

  • Masters in 4K or 1080p, 16:9 and 9:16, MP4 or MOV — conformed to every placement on the plan
  • Language versions with on-screen text and lip-synced voice-over, from one edit
  • Source-ready assets and project files where the statement of work includes them
  • One included revision round after the first generation; our own AI errors redone at our cost
  • Ownership and usage rights transfer with the final payment, as defined in the statement of work

Shown, not graded.

We do not call ourselves the best 3D team, promise zero-error VFX or borrow words like Hollywood quality. The films on this page are the argument: each one opens, and each case study lists the disciplines that were actually used on it.

One production partner from first frame to final master.

Agencies use U3 for AI production, editing, motion graphics, 3D, VFX and finishing — white-label, under NDA, no contact with your client, nothing published without written approval.

Films the post team finished.

AI-native productions and edited footage side by side. Every film opens; every case study says which disciplines were used.

Unfinished material in. A master out.

Send footage, AI outputs, 3D assets or a script — we come back with a scoped proposal, not a rate card.

Video editing & finishing — Shown on

Motion graphics — Shown on

3D & CGI — Shown on

VFX & compositing — Shown on

Evidence, not adjectives.

Every claim on this page traces to a case study with verified facts, a market with published work, and a source outside u3-ai.com.

Case studies

Published films

Markets with published work

Egypt · Saudi Arabia · United Arab Emirates · Qatar · Kuwait · Germany · Hungary

Published by others

Directed by: Mohammad Yousry — Founder & AI Creative Director

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